Travel Photos Worth Remembering — Why They Look Like Postcards, and Cropping
Published Jun 27, 2026
At travel spots, the more frames you take, the more they all “look like postcards.” The causes are pulling back too far, no clear subject, and how you use people and light. Changing the crop a little gives a shot worth remembering.
Decide one subject
Trying to fit the whole famous view in gives an explanatory, ordinary shot. Decide one subject, move in or place something in the foreground, and a story emerges. For wide views, landscape tips help too (→ Landscape photography).
Crop with a frame or a line of depth
A flat tourist shot gains depth with a road, corridor or avenue running into the distance (→ Leading lines). Shooting the subject through a window, arch or gate conveys the air of the place (→ Framing). When you meet curved architecture — a spiral staircase, a run of arches — you can also try the golden ratio, placing the subject at the curling center (→ Golden ratio).
Composition guideLeading linesSee the full guide for this composition →
Composition guideFramingSee the full guide for this composition →
Bring in people and light
Including a small figure conveys the scale of the scene. Backlight and morning/evening light create drama with silhouettes and long shadows (→ Making the most of backlight).
Composition tips
Varying wide, close, vertical and horizontal keeps the album from going monotonous. Mixing in close-ups — the ground, a sign, food in your hands — brings the trip’s memories back. The basic of placing the subject on an intersection helps too (→ Rule of thirds).
Composition guideRule of thirdsSee the full guide for this composition →

Start with just this
Decide one subject, add a foreground or a line of depth, and mix in close and vertical. Bring out scale and air with people and light. That cuts down a lot of the “tourist brochure” look in travel photos.
FAQ
Including people at tourist spots looks busy.
For crowds, take a step in to make the subject big, or aim for a less crowded direction or time. You can also deliberately use foreground people as silhouettes or a foreground for mood.
All my photos look the same.
Beyond the whole view, mix in close-ups of your hands, a sign, the ground, a detail, and the trip's story comes through. Vary wide, close, vertical and horizontal.
Related reading
Compositions used
Related subject guides

Shooting Landscapes With Depth — Why They Look Flat and How to Level

Plushie Photos While Traveling — When the Plush Loses to the Scenery or Tilts

Acrylic Stand Photos With the Scenery — Focus Misses and Melting Edges, Fixed

Shooting Sunsets — Why Sky-Only Shots Fall Flat and How to Catch the Magic Hour

Photographing Rainy Days — Why They Look Gloomy, and Droplets as the Subject

Summer Skies and Towering Clouds — Why They Shrink in the Frame

Summer Festivals — Why Night Shots Blur, and Shooting Lanterns and Stalls

At the Beach — Why It Blows Out, and Fixing Level and Backlight

Photographing Shichi-Go-San — Why Faces Go Dark and How to Show the Kimono

Photographing Ginkgo Avenues — Why They Look Flat and How to Use the Rows

Photographing Red Spider Lilies — Why the Red Blocks Up and How to Shoot Drifts

Three-Generation Family Photos — Why Everyone Stiffens and How to Arrange Them
